Monday, 12 January 2015

8186: Ben Bovington-Key Navigation Post

Evaluation Question 4
Evaluation Question 3
Evaluation Question 2
Evaluation Question 1
Final Pieces
Deadline Week Contribution
NME Advertisement
NME Advertisement 2
Progress Update
Hornslodge Shoot Review
Brighton Shoot Review
Rough Cut
Print Mock Up
Digipak Initial Concept
Digipak Analysis
Storyboard Animatic
Shoot Planning
Risk Assessment and Planning
Pitch/Feedback
Pitch Contribution
Concept Update
'Submarine' Analysis/Firework Risk Assessment
Hornslodge Location Recce
Technical Analysis (Cinematic)
Technical Analysis (Music Video)
Concept Development
Deconstructing Music Videos
Dimitri Basil: Mise-en-scene and Visual Style Analysis
Brighton Location Recce
In-Class Music Video Response
Semiotic Music Video Analysis
Wes Anderson: Shot Composition and Camera Techniques
UTOPIA: Colour Schemes and Visual Style
Responding to Chosen Track
Initial Concept Ideas
Alternative Rock Moodboard
Analysis of Three Music Videos
Music Video Theory Essay
Preliminary Task
Institutional Context




8188: Max Boyden - Navigation Post

Planning:


Production:


Evaluation:

Evaluation Questions 1, 2 and 4
Evaluation Question 3
Group Music Video Evaluation

8535: Benjamin Sinden Navigation Post

Evaluation Question 1,2 & 4
Evaluation Question 3
Final Music Video
Initial Track Response 
Final Print Work
Animatic
Technical Analysis
Technical Analysis 2
Music Videos: Deconstruction
Digipak Analysis
Digipak Initial Ideas
NME Advert Development 1
NME Advert Development 2
Brighton Location Recce
Hornslodge Location Recce
Hornslodge Shoot Review
Brighton Shoot Review
Rough Cut
Print Mock-up
Shoot Planning 
Risk Assessment and Planning 
Pitch Feedback
Pitch Contribution
Concept Update 
Concept Development
In Class Music Video Response
Semiotic Music Video Analysis
Alternative Rock Moodboard
Preliminary Task
Institutional Context