
Similar to the other
print work we have made, this one's image was taken directly from the video. To obtain the image, we took a
screenshot, or
"freeze frame", from our
Adobe Premier Elements project, therefore exporting it in the highest resolution
.bmp file. We then used this as the foundation to build the rest of the print around it.
We wanted to maintain some of the traditions used by the band in previous print work
campaigns, which have mainly focused around the use of the
drop logo. However, while we stuck to this
principle on the other print, we felt this particular image would not have been as effective with the same design, so instead decided to use the standard
"Family Rain" font to maintain some of the
conventions of
previous campaigns.
We imported the image of
"The Family Rain" and
"Binocular" to the project,
colour correcting them to match using the
eyedropper tool on
Adobe Photoshop. We wanted the text to be bigger than the previous campaign as the absence of the drop logo made the image look empty. We also made the decision to make the
Binocular font significantly bigger than The Family Rain, so it becomes the
focus of attention.

After that we added the
release date of the single at the bottom of the print, feeling the natural chain of vision would lead down the print, leaving the release date freshest in the viewer's mind,
encouraging them to purchase the single. Next, we added the star ratings from
NME and
Q magazine; two publications that suited the
genre of the band, so the music would
naturally appeal to their audience. The publications' logos were then
imported into the project then
resized and
colour corrected to match the black star ratings at the top. We made no further corrections to the image itself as we felt the colour was suitable for the add, and any attempted to enhance this would in effect ruin what was already a good piece of print work. We intend for the print to cover a
quarter of a page, measuring
14cm x 10.5 cm. Here is the
final product:
Really happy with the outcome of this, I think the symmetry in it compliments our video's Wes Anderson style as well as the digipak and other NME advertisement.
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